Room Laundering (2018)
Yakumo Miko's father died when she was 5 years old. The next year, Miko mother went missing. Miko then moved in with her grandmother, but, at the age of 18, Miko's grandmother passes away. She shuts herself away from others. One day, her uncle from her mother's side, Ikazuzi Goro appears. He sets up a place for Miko to live and also a place for her to do part-time work. Her part-time job is "room laundering." After starting her job, Miko sees ghosts. She struggles to solve the worries of the ghosts who are staying in rooms. Ikazuzi Goro tells Miko that her mother was able to see ghosts which affected her. Miko asks him to find her mother.
What people think about Room Laundering
Room Laundering is special because it treats the supernatural not as a gimmick, but as a quiet language for grief, loneliness, and the messy business of moving on. Kenji Katagiri gives the film a gentle, offbeat vibe—part melancholy slice-of-life, part ghost story—where each “cleaned” room feels like a small human mystery, and Elaiza Ikeda anchors it with a performance that’s tender without begging for tears. Joe Odagiri brings a wry warmth as the uncle who’s equal parts guardian and question mark, nudging the story forward with humor that never undercuts its heart. If you’re expecting big scares or fast twists, this isn’t that kind of ride, but if you want a thoughtful drama with an eerie hush and a surprisingly comforting pulse, it’s an easy film to fall into.
Room Laundering is clearly aiming for a gentle, offbeat mix of grief drama and light supernatural mystery, using “cleaning” stigmatized rooms as a metaphor for emotional baggage. The problem is it often feels more like a low-key TV episode stretched into a feature, with a meandering pace and episodic ghost encounters that don’t always land with much punch. Elaiza Ikeda brings a quiet sincerity and Joe Odagiri adds welcome warmth, but if you’re expecting real scares, tight plotting, or a big emotional payoff to the missing-mother thread, you may find it frustratingly soft and undercooked. This is best for viewers who like calm, melancholy character pieces with a paranormal garnish, not anyone looking for momentum or catharsis.
Cast
Crew
- Director
- Kenji Katagiri
- Writers
- Kenji Katagiri
- Producers
- Yuka Asano
- Cinematography
- Tomoo Ezaki
- Editing
- Mitsuo Nishio
Details
- Released
- July 7, 2018
- Language
- Japanese
- Studio
- Phantom Film, Culture Entertainment, C&I entertainment
- IMDb
- tt7724322










