Mamma Mia! Here We Go Again (2018)

Mamma Mia! Here We Go Again is pure cinematic sunshine: a sequel that knows exactly what it is and leans into its own joyous absurdity with the confidence of a crowd-pleaser that’s earned the right to sing at full volume. Ol Parker keeps the vibe breezy and romantic, bouncing between past and present with the easy rhythm of a summer memory, while Lily James brings such warmth and spark to young Donna that you start to believe this whole island runs on charisma alone. The choreography and performances are staged like a party you’re glad you didn’t miss, but there’s also a surprisingly tender undercurrent about family and the way we carry the people we love forward. If you’re allergic to musicals or prefer your comedy subtle, it may not convert you—but if you’re on the fence, this one’s a generous, feel-good escape that sends you out humming.

Mamma Mia! Here We Go Again is trying to be a sunny, feel-good victory lap: half prequel origin story, half present-day tribute, all powered by ABBA and postcard Greece. The problem is the plot often feels like a flimsy clothesline for musical numbers, with a patchwork structure that can come off contrived and a bit emotionally pushy if you’re not already invested. If you want tight storytelling or believable drama, this may feel like a nostalgic singalong that barely holds together. But if you’re happy to trade narrative logic for charm, Lily James brings real spark, the ensemble is game, and the movie delivers breezy escapism in generous doses.