Napping Princess (2017)
Japan, 2020, a few days before the opening of the Tokyo Olympics. Although she should be studying for her final exams, Kokone, a schoolgirl who lives in a small town with her widowed father, a mysterious and talented mechanic, falls asleep often, anywhere, anytime, entering, over and over, a dream-world where a squad of fantastic motorized contraptions fights against magic, a world close to reality where she will find out the keys of her true past.
What people think about Napping Princess
Napping Princess is special because it treats a wild, storybook dreamscape not as an escape from real life, but as the secret language of it—where clanking, lovable machines and fairy-tale pageantry quietly point toward something tender and true. Kenji Kamiyama blends near-future Tokyo-on-the-brink energy with an enchanting fantasy realm, creating a film that feels like a bedtime story wired to a sci-fi thriller, all held together by the warmth of a daughter trying to understand her father and the mother she lost. The animation has a gentle glow and an inventive sense of motion, and even when the narrative gets twisty, the emotional throughline stays clear: family history can be messy, but it’s still worth uncovering. If you prefer straightforward plots, it may feel a little intricate, but if you’re open to a heartfelt adventure where dreams and technology rhyme in surprising ways, it’s an easy film to fall into.
Napping Princess clearly wants to be a heartfelt coming-of-age mystery wrapped in a whimsical dream-fantasy, while also sneaking in a near-future tech thriller about family secrets. The problem is the gears don’t always mesh: it can feel lopsided and clanky as it bounces between cute, motorized fairy-tale spectacle and a more mechanical conspiracy plot that isn’t as gripping as it thinks it is. If you need tight pacing, clean rules, and a story that doesn’t ask you to “just go with it” for long stretches, this one may test your patience. Still, the animation has charm, the central father-daughter thread carries real warmth, and if you enjoy dreamy, slightly confounding genre mash-ups, you might find it more endearing than satisfying.
Cast
Mitsuki TakahataKokone Morikawa / Aennchen (Ancien) (voice)
Yosuke EguchiMomotaro Morikawa / Piichi (Peach) (voice)
Shinnosuke MitsushimaMorio Sawatari (voice)
Rie KugimiyaJoi (Joy) (voice)
Tomoya MaenoKijita / Takiji (voice)
Wataru TakagiSawatari (Morio's Father) / Ukkî (voice)
Hideki TakahashiIsshin Shijima / Hâtorando-ô (King) (voice)
Arata FurutaIchiro Watanabe / Bewan (voice)
Risa ShimizuIkumi Morokawa (voice)
Crew
- Director
- Kenji Kamiyama
- Writers
- Kenji Kamiyama
- Producers
- Shinichirou InoueYoshitaka HoriKatsuji MorishitaYoshio NakayamaMitsuhisa IshikawaMasami Takahashi
- Music
- Yoko Shimomura
- Cinematography
- Koji Tanaka
Details
- Released
- March 18, 2017
- Language
- Japanese
- Studio
- Signal.MD, Production I.G, KADOKAWA
- IMDb
- tt5731132
