Boy 23: The Forgotten Boys of Brazil (2016)
The film accompanies the investigation of the historian Sidney Aguilar after the discovery of bricks marked with Nazi swastikas in the interior of São Paulo. They then discover a horrifying fact that during the 1930s, fifty black and mullato boys were taken from an orphanage in Rio de Janeiro to the farm where the bricks were found. There they were identified by numbers and were submitted to slave labour by a family that was part of the political and economic elite of the country and who did not hide their Nazi sympathizing ideals.
What people think about Boy 23: The Forgotten Boys of Brazil
Boy 23: The Forgotten Boys of Brazil grabs you by the collar with a mystery that turns into a moral reckoning: a few swastika-stamped bricks open a door onto a hidden history Brazil never properly faced. Director Belisario Franca follows historian Sidney Aguilar’s investigation with the propulsion of a thriller, but the film’s true power comes from the careful layering of archival footage, photographs, and sober expert context that makes denial impossible and memory urgent. It’s a documentary that doesn’t chase sensation; it builds a resonant portrait of how ideology, class, and racism can be laundered into “respectability,” and what it costs the people trapped beneath it. Fair warning: it’s deeply disturbing and emotionally heavy, but if you believe documentaries can illuminate the present by excavating the past, this one feels essential.
Boy 23: The Forgotten Boys of Brazil is trying to do something vital: excavate a buried chapter of Brazilian history and give voice to men who were treated as disposable, using one historian’s investigation as the thread that ties it together. It’s powerful, but it’s also heavy and unsettling, with subject matter centered on racism, Nazi sympathies, and the enslavement and dehumanization of children—so if you’re looking for an “interesting history” watch that stays comfortably academic, this won’t be it. The film leans more on testimony and moral urgency than on slick reenactments or a fast-paced true-crime structure, which may feel slow or emotionally draining depending on your taste. If you can handle grim material, the survivor accounts and the sheer importance of the story make it worth your time; if not, it’s completely reasonable to skip it for your own sanity.
Crew
- Director
- Belisario Franca
- Cinematography
- Lula Cerri
- Editing
- Yan Motta
Details
- Released
- July 7, 2016
- Language
- Portuguese
- Studio
- Globo Filmes
- IMDb
- tt3121724
