The Saint (2017)

The Saint (2017) is a slick throwback to the era when a charming rogue could carry an entire adventure on sheer nerve, quick thinking, and a perfectly timed smirk. Adam Rayner gives Simon Templar that classic “one step ahead” magnetism, and the film keeps its momentum with globetrotting intrigue, cleanly staged action, and a cat-and-mouse rhythm as the authorities close in and old ghosts resurface. It’s less about gritty realism and more about breezy escapism—an enjoyably old-school caper vibe with a modern coat of paint and just enough emotional stakes to keep the thrills grounded. If you’re looking for a faithful, prestige reinvention you may find it a bit TV-movie modest, but if you want a fun, nostalgic crime-adventure that knows exactly what kind of good time it’s offering, this one delivers.

The Saint (2017) is clearly trying to revive a classic slick-thief fantasy with globetrotting intrigue, disguises, and a hero who’s always one step ahead. The problem is it plays like a made-for-TV action pilot that never earns its big stakes: the direction feels flat, the set pieces are modest, and the plot hits familiar beats without much style or surprise. Adam Rayner has the right look for Simon Templar and there are a few breezy moments of cat-and-mouse, but the chemistry and performances don’t consistently sell the charm the character needs. If you’re expecting the wit, polish, and swagger associated with The Saint name, this will likely disappoint; if you just want a low-commitment, middle-of-the-road crime caper to have on in the background, it might do the job.