A Kiss at Midnight (2008)
They say the cobbler's children go barefoot, but must the matchmaker's children go motherless? After their widower father moves to a new town and sets up a computerized matchmaking business, two girls set out to find a stepmother. They create a dating application in the company computer for him. Then they cull through all new women applicants to hand pick the perfect woman for him and force the computer to match them. They don't know the woman they picked is the proprietor of the old-fashioned matchmaking service in town who is planning to prove the computer matching is incompetent.
What people think about A Kiss at Midnight
A Kiss at Midnight is the kind of cozy, modern fairy tale that knows exactly what it wants to be: a warm, witty romance with a family-friendly sparkle and just enough old-fashioned charm to make you believe in happy accidents. It pits high-tech matchmaking against the human heart in a way that feels playful rather than preachy, letting the chemistry and clever dialogue do the heavy lifting. The tone is light, sweet, and gently funny, with endearing characters you can root for from the start—especially the kids, who bring a mischievous sincerity that keeps everything buoyant. If you’re craving something deep or edgy, this won’t be it, but if you want an easy, romantic evening that feels like a comforting storybook come to life, it’s a delightful pick.
A Kiss at Midnight is aiming for a cozy, family-friendly rom-com about old-school matchmaking clashing with modern algorithms, with two well-meaning kids trying to “fix” their dad’s love life. The problem is it often feels like a made-for-TV checklist: cute premise, predictable beats, and a plot that’s so contrived you can almost see the gears turning. The pacing can drag and the romantic setup may read a bit pushy rather than charming, which makes the whole thing feel more underwhelming than magical. If you like gentle, low-stakes Hallmark-style comfort and don’t mind a thin story, it’s serviceable; if you want spark, realism, or anything remotely surprising, you’ll probably be bored.
Cast
Crew
- Director
- Bradford May
- Writers
- Anna Sandor
- Cinematography
- James W. Wrenn
- Editing
- Thomas A. Krueger
Details
- Released
- December 26, 2008
- Language
- Dutch
- IMDb
- tt1272019






