Starting Over (1979)

Starting Over is that rare romantic comedy that treats a breakup not as a punchline, but as a bruised, funny, recognizably human rite of passage—and it’s all the better for Alan J. Pakula’s wry, unshowy direction. Burt Reynolds, shedding movie-star swagger for something tender and uncertain, makes Phil’s reinvention feel lived-in, while Jill Clayburgh brings a bright, nervy intelligence that turns everyday awkwardness into genuine charm. The humor is understated and observant—more winces and warm laughs than big gags—so the movie plays like a smart adult conversation that happens to be very entertaining. If you want a high-concept, sugar-rush rom-com, this isn’t it; but if you’re in the mood for a sincere, funny look at how people stumble their way back to love, it’s an easy film to fall for.

Starting Over wants to be a smart, grown-up romantic comedy about picking yourself up after divorce and learning how to love again, and the setup gives Burt Reynolds and Jill Clayburgh plenty of room to charm. The problem is it often ducks the messy emotional truth in favor of sitcom-y “cute” beats, so scenes that should sting or land with insight can feel oddly safe, even a bit embarrassed of their own awkwardness. If you’re hoping for Alan J. Pakula to bring real bite or depth to the relationship drama, the back half may feel like it coasts on bland good cheer and convenient turns. Still, if you’re in the mood for a gently amusing, late-’70s crowd-pleaser with likable performances and a warm vibe, it can be an easy watch—as long as you don’t expect it to hit as hard as it thinks it does.