A Matter of Resistance (1966)
In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice.
What people think about A Matter of Resistance
A Matter of Resistance is that rare wartime romp that stays feather-light without losing its bite, turning occupied Normandy into a stage for flirtation, farce, and sly romantic intrigue. With a witty script that sparkles in conversation and situation, the film lets Catherine Deneuve’s Marie glide through a crumbling château like a dream of Parisian escape, while Philippe Noiret brings wonderfully human comedy to a husband who’s outmatched by events and emotions alike. The vibe is pure, charming French amusement—playful, mischievous, and buoyed by performances that make every raised eyebrow and polite lie feel deliciously alive. If you’re looking for grim realism, this isn’t it; but if you want an entertaining classic with a light Gallic touch and a romantic tangle that never takes itself too seriously, it’s an easy delight.
A Matter of Resistance wants to be a cheeky wartime farce-romance, mixing D-Day intrigue with a love triangle and a bored wife dreaming of Parisian glamour. The problem is the tone wobbles: the spy plot and German suitor feel more like flimsy setup than believable tension, and the comedy often lands as mild rather than laugh-out-loud. If you’re expecting sharp satire, tight storytelling, or modern pacing, this can feel thin and oddly weightless for its setting. Still, if you enjoy old-school French black-and-white cinema, flirtatious banter, and you’re happy to coast on mood and premise more than punchlines, there’s enough charm to justify a watch.
Cast
Crew
- Director
- Jean-Paul Rappeneau
- Producers
- Nicole Stéphane
- Music
- Michel Legrand
- Cinematography
- Pierre Lhomme
- Editing
- Pierre Gillette
Details
- Released
- January 25, 1966
- Language
- French
- Studio
- Les Productions de la Guéville, Ancinex, Cobela Films
- IMDb
- tt0059872








