Любовь (1972)

Maria is having great difficulty getting on with her parents because of their blind, consumerist approach to life. Traumatized by continuous family dramas, having experienced the disappointments of firs love, Maria decides to go up the mountain to a holiday home. There she meets a conceited architect, a shy teacher, a jurist, and a timid journalist (all of them representatives of the intelligentsia) who are domineered by the manager of the holiday home and his 'problems'. Maria's resignation changes into a rebellion against impersonal submission and sheep-like compliance with those who hold power.