
Ricardo Cortez
- Naissance
- 17 septembre 1900
- Décès
- 28 avril 1977
- Origine
- New York City, New York, USA
Ricardo Cortez (September 19, 1900 – April 28, 1977) was an American film actor who began his career during the silent film era.
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Born Jacob Krantz in New York City into a Jewish family, he worked on Wall Street in a broker's office and as a boxer before his looks got him into the film business. Hollywood executives changed his name to Cortez to appeal to film-goers as a "Latin lover" to compete with such highly popular actors of the era as Rudolph Valentino, Ramon Novarro and Antonio Moreno. When rumour began to circulate that Cortez was not actually Spanish, the studios tried to pass him off as a different type of Latin, French, before they finally admitted his (supposedly) Viennese origin.
Cortez appeared in over 100 films. He played opposite Joan Crawford in Montana Moon in 1930, played Sam Spade in the original The Maltese Falcon in 1931, co-starred with Charles Farrell and Bette Davis in The Big Shakedown and Wonder Bar (with Al Jolson and Dolores del Río) in 1934. He also played Perry Mason in the 1936 film The Case of the Black Cat. Although he began his career playing romantic leads with actresses like Greta Garbo, when sound cinema arrived, his powerful delivery and New York accent made him an ideal villain and conman, and he switched from sex symbol to character actor.
Cortez was married to silent film actress Alma Rubens until her death of pneumonia in 1931.
When he retired from the film business, Cortez went to work as a stockbroker for Solomon Brothers on New York's Wall Street. He died in New York City in 1977 and was interred at Woodlawn Cemetery in The Bronx.
He was the older brother of noted cinematographer Stanley Cortez (born Stanislaus Krantz).
Biographie fournie par TMDB
Interprétation 53
La Dernière Fanfare1958
À l’étudeBunco Squad1950
À l’étudeBlackmail1947
À l’étudeLe médaillon1946
À l’étudeThe Inner Circle1946
À l’étudeMake Your Own Bed1944
À l’étudeTomorrow We Live1942
À l’étudeWho Is Hope Schuyler?1942
À l’étudeWorld Premiere1941
À l’étudeA Shot in the Dark1941
À l’étudeAssassiner dessus de New York1940
À l’étudeCharlie Chan in Reno1939
À l’étudeCity Girl1938
À l’étudeThe Californian1937
À l’étudeHer Husband Lies1937
À l’étudeThe Case of the Black Cat1936
À l’étudePostal Inspector1936
À l’étudeLe mort qui marche1936
À l’étudeMan Hunt1936
À l’étudeSpecial Agent1935
À l’étudeManhattan Moon1935
À l’étudeShadow of Doubt1935
À l’étudeThe Firebird1934
À l’étudeA Lost Lady1934
À l’étudeThe Man with Two Faces1934
À l’étudeWonder Bar1934
À l’étudeMandalay1934
À l’étudeThe House on 56th Street1933
À l’étudeTorch Singer1933
À l’étudeMidnight Mary1933
À l’étudeUne femme survint1932
À l’étudeThe Phantom of Crestwood1932
À l’étudeTreize femmes1932
À l’étudeBig Business Girl1931
Le faucon maltais1931
À l’étudeTen Cents a Dance1931
À l’étudeHer Man1930
À l’étudeMontana Moon1930
À l’étudeThe Lost Zeppelin1929
À l’étudeMidstream1929
À l’étudeLoin du ghetto1929
À l’étudeLadies of the Night Club1928
À l’étudeBy Whose Hand?1927
À l’étudeMockery1927
À l’étudeThe Eagle of the Sea1926
À l’étudeThe Sorrows of Satan1926
À l’étudeThe Cat's Pajamas1926
À l’étudeTorrent1926
À l’étudeThe Pony Express1925
À l’étudeArgentine Love1924
À l’étudeThis Woman1924
À l’étudeA Society Scandal1924
À l’étudeThe Call of the Canyon1923




