
Willie Best
- Naissance
- 27 mai 1913
- Décès
- 27 novembre 1962
- Origine
- Sunflower, Mississippi, USA
William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.
Biographie fournie par TMDB
Interprétation 63
À l’étudeBeyond Tara: The Extraordinary Life of Hattie McDaniel2001
À l’étudeBrother, Can You Spare a Dime?1975
À l’étudeSouth of Caliente1951
À l’étudeThe Shanghai Chest1948
À l’étudeHalf Past Midnight1948
À l’étudeThe Red Stallion1947
À l’étudeSuddenly It's Spring1947
À l’étudeArgent Dangereux1946
À l’étudeThe Bride Wore Boots1946
À l’étudeHold That Blonde!1945
Music for Millions1944
À l’étudeThe Mark of the Whistler1944
À l’étudeThe Adventures of Mark Twain1944
À l’étudeHome in Indiana1944
À l’étudeThank Your Lucky Stars1943
À l’étudeThe Kansan1943
À l’étudeCabin in the Sky1943
À l’étudeThe Powers Girl1943
À l’étudeScattergood Survives a Murder1942
À l’étudeA-Haunting We Will Go1942
À l’étudeMaisie Gets Her Man1942
À l’étudeJuke Girl1942
À l’étudeNothing but the Truth1941
À l’étudeRoad Show1941
La Grande Évasion1941
À l’étudeMoney and the Woman1940
À l’étudeLe Mystère du château maudit1940
À l’étudeI Take This Woman1940
À l’étudeSlightly Honorable1939
À l’étudeUn jour au cirque1939
À l’étudeBlackmail1939
À l’étudeWay Down South1939
À l’étudeMr. Moto Takes a Vacation1939
À l’étudeNancy Drew... Trouble Shooter1939
À l’étudeLe Saint contre-attaque1939
À l’étudeBlondie1938
À l’étudeSpring Madness1938
À l’étudeStraight, Place and Show1938
À l’étudeYouth Takes a Fling1938
À l’étudeVivacious Lady1938
À l’étudeGoodbye Broadway1938
À l’étudeMerrily We Live1938
À l’étudeGold Is Where You Find It1938
À l’étudeMeet the Missus1937
À l’étudeYou Can't Buy Luck1937
À l’étudeNight Waitress1936
À l’étudeGeneral Spanky1936
À l’étudeMummy's Boys1936
À l’étudeDown the Stretch1936
À l’étudeThe Green Pastures1936
À l’étudeThe Bride Walks Out1936
À l’étudeMurder on a Bridle Path1936
À l’étudeTwo in Revolt1936
À l’étudeSilly Billies1936
À l’étudeMuss 'em Up1936
À l’étudeThe Littlest Rebel1935
À l’étudeTo Beat the Band1935
À l’étudeThe Nitwits1935
À l’étudeKentucky Kernels1934
À l’étudeLittle Miss Marker1934
À l’étudeThe Monster Walks1932
À la hauteur1930
À l’étudeLadies of Leisure1930