
Elgin Lessley
- Nacimiento
- 10 de enero de 1883
- Fallecimiento
- 8 de febrero de 1944
- Origen
- Higbee, Missouri, USA
Elgin Lessley (also credited as Lesly, Lessly, and Leslie) (June 10, 1883 - January 10, 1944) was an American hand-crank cameraman of the silent film era—a period of filmmaking when virtually all special effects work had to be produced inside the camera during filming. Though Lessley worked earlier with Roscoe "Fatty" Arbuckle, and later with Harry Langdon, he is best known for the groundbreaking effects he produced with Buster Keaton, who dubbed him "the human metronome" for his ability to crank consistently at any requested speed.
Mostrar másMostrar menos
Lessley's most striking effects were in The Playhouse (1921) and Sherlock Jr. (1924). In The Playhouse, through use of a specially shuttered lens and repeated back-cranking and re-cranking, Lessley allowed Keaton to appear as up to nine characters simultaneously, interacting with one another. In Sherlock Jr., Lessley's careful positioning of camera and actor in various locations produced the effect of a man stuck in a movie where his location keeps changing as he struggles to keep up. Lessley retired from filmmaking after shooting The Cameraman with Buster Keaton in 1928.
Biografía tomada de TMDB
Actuación 1
Otros créditos 10
El cameraman1928 · Dirección de fotografía
AprendiendoThree's a Crowd1927 · Dirección de fotografía
Un sportman de ocasión1926 · Dirección de fotografía
El rey de los cowboys1925 · Dirección de fotografía
AprendiendoSeven Chances1925 · Dirección de fotografía
AprendiendoEl navegante1924 · Dirección de fotografía
El moderno Sherlock Holmes1924 · Dirección de fotografía
AprendiendoOur Hospitality1923 · Dirección de fotografía
AprendiendoThree Ages1923 · Dirección de fotografía- Alias Mary BrownAprendiendoAlias Mary Brown1918 · Dirección de fotografía
